LTX-2 Prompting Guide: How to Write Prompts for LTX Video Generation
Shot structure, camera language, audio cues, I2V vs T2V differences, and the most common mistakes — a complete LTX-2.3 prompting reference with before/after examples.
By ltx workflow
Editor's Note: Comprehensive prompting guide for LTX-2.3 image-to-video and text-to-video generation — covering shot structure, camera language, audio cues, and what to avoid. Based on official LTX-Video team guidelines with practical before/after examples for every technique.
LTX 2.3 Prompting Guide
Source: LTX-Video team official guide. Covers LTX 2.3 image-to-video (I2V) and text-to-video (T2V).
LTX 2.3 introduces major improvements to detail, motion, prompt understanding, audio reliability, and native portrait support. This changes how you should prompt.
Core Principles
1. Be More Specific — The Engine Can Handle It
LTX 2.3 includes a larger, more capable text connector. It interprets complex prompts accurately, especially for multiple subjects, spatial relationships, stylistic constraints, and detailed actions.
Simplifying no longer helps. Specificity wins.
Instead of: A woman in a café
Try: A woman in her 30s sits by the window of a small Parisian café.
Rain runs down the glass behind her. Warm tungsten interior lighting.
She slowly stirs her coffee while glancing at her phone.
Background softly out of focus.
2. Direct the Scene — Don't Just Describe It
LTX 2.3 respects spatial layout. Be explicit: left vs right, foreground vs background, facing toward vs away, distance between subjects.
Instead of: Two people talking outside
Try: Two people stand facing each other on a quiet suburban sidewalk.
The taller man stands on the left, hands in pockets.
The woman stands on the right, holding a bicycle.
Houses blurred in the background.
Block the scene like a director.
3. Describe Texture and Material
With a rebuilt latent space and updated VAE, fine detail is sharper. Describe fabric types, hair texture, surface finish, environmental wear, edge detail.
Close-up of wind moving through fine, curly hair. Individual strands visible.
Soft afternoon backlight catching edge detail.
4. For I2V, Use Verbs
Motion still needs clarity. Avoid vague descriptions:
Avoid: The scene comes alive
Try: The camera slowly pushes forward as the subject turns their head
and begins walking toward the street. Cars pass.
Specify who moves, what moves, how they move, what the camera does. Motion is driven by verbs.
5. Avoid Static, Photo-Like Prompts
If your prompt reads like a still image, the output may behave like one.
Instead of: A dramatic portrait of a man standing
Try: A man stands on a windy rooftop. His coat flaps in the wind.
He adjusts his collar and steps forward as the camera tracks right.
6. Design for Native Portrait
LTX 2.3 supports native vertical video up to 1080x1920. When generating portrait content, compose for vertical intentionally.
Don't treat vertical as cropped landscape. Frame for it.
Influencer vlogging while on holiday — shoot for vertical.
7. Be Clear About Audio
The new vocoder improves reliability and alignment. If you want sound, describe it: environmental audio, tone and intensity, dialogue clarity.
A low, pulsing energy hum radiates from the glowing orb.
A sharp, intermittent alarm blares in the background, metallic and urgent,
echoing through the spacecraft interior.
Prompt Structure
Shot Priority
The model responds better when the prompt has one dominant event or shot idea instead of several competing moments. One scene, one focus.
Named Motion Over Style Words
Strong prompts say what changes on screen. They do not rely on vague labels like dynamic, cinematic, or epic to carry the action.
Walking, pouring, turning, lifting, revealing, drifting
— more than dramatic, vivid, or engaging on their own.
Camera Intent
Even a short phrase gives the output more direction:
slow push-infixed frameside tracking shothandheld movementslow dolly in
Prompt Order That Works
Subject -> action -> camera -> mood
This keeps the prompt legible and makes refinement easier.
Format
Write as a single flowing paragraph. Use present tense verbs for action and movement. Match detail level to shot scale — close-ups need more detail than wide shots. Aim for 4–8 descriptive sentences.
Shot Composition Categories
Camera Language
| Movement | Use when |
|---|---|
| Follows, Tracks | Subject is moving through space |
| Pans across | Static subject, scanning scene |
| Circles around | Revealing subject from all sides |
| Tilts upward / Pushes in | Dramatic emphasis, reveal |
| Overhead view | Establishing, god's-eye |
| Over-the-shoulder | Dialogue, interaction |
| Wide establishing shot | Setting context |
| Static frame | Tension, stillness |
| Handheld movement | Documentary, chaos, intimacy |
Scale Indicators
- Expansive / Epic — wide landscapes, large crowds
- Intimate / Claustrophobic — close quarters, tension
- Medium — neutral, conversational
Pacing & Temporal Effects
- Slow motion — dramatic emphasis
- Time-lapse — passage of time
- Rapid cuts — energy, intensity
- Lingering shot — contemplation, weight
- Continuous shot — realism, unbroken take
- Freeze-frame — dramatic pause
- Fade-in / fade-out — transition
Film Characteristics
Film grain, lens flares, jittery stop-motion, pixelated edges — use deliberately.
Visual Details
Lighting
Flickering candles, neon glow, natural sunlight, dramatic shadows, backlit rim light, warm tungsten, cool blue ambient.
Textures
Rough stone, smooth metal, worn fabric, glossy surfaces, weathered wood, matte finish.
Atmosphere
Fog, rain, dust, smoke, particles, mist, golden hour, overcast.
Color Palette
Vibrant, muted, monochromatic, high contrast, warm tones, cool tones, desaturated.
Audio & Voice
Ambient Settings
Coffeeshop noise, wind and rain, forest ambience with birds, traffic hum, ocean waves.
Dialogue
- Place spoken dialogue in quotation marks
- Specify language and accent if needed
- Energetic announcer, resonant voice with gravitas, distorted radio-style, robotic monotone, childlike curiosity
Volume Cues
Whisper, mutter, shout, scream — give the model volume reference.
Content to Avoid
| Avoid | Why |
|---|---|
| Internal emotional states ("she feels sad") | Use visual cues instead of abstract labels |
| Text and logos | Readable text is not currently reliable |
| Complex physics | Chaotic motion introduces artifacts |
| Overloaded scenes | Too many characters or actions reduce quality |
| Conflicting lighting | Mixed light logic confuses scene interpretation |
| Overcomplicated prompts | Start simple and layer complexity gradually |
Sample Prompts
Commercial — Product Hero
Luxury skincare bottle on a wet stone surface, gentle push-in camera,
soft morning light, subtle water movement, premium beauty commercial mood,
minimal background distraction.
Character — Portrait Motion
Young chef plating a dish in a quiet open kitchen, medium close-up,
calm hand movement, warm tungsten highlights, shallow depth feel,
understated cinematic realism.
Environment — Atmospheric Scene
Fog rolling over pine trees around a mountain cabin at dawn,
slow rising drone-like camera, cool blue light, soft wind in the branches,
contemplative cinematic tone.
Short Form — Social Hook
Fresh croissant breaking open on a marble counter, quick close-up reveal,
visible steam, crisp bakery lighting, satisfying food detail,
short-form premium ad style.
What Works Well
- Cinematic compositions — wide, medium, close-up with thoughtful lighting and natural motion
- Emotive human moments — strong single-subject emotional expressions, subtle gestures, facial nuance
- Atmosphere & setting — fog, mist, golden-hour light, rain, reflections
- Clear camera language — explicit instructions like "slow dolly in" or "handheld tracking"
- Stylized aesthetics — painterly, noir, analog film, fashion editorial, pixelated animation
- Voice capabilities — characters can talk and sing; multiple languages supported